"funkymothers" said:Whilst trying out the reported bug from this post I realised that the way AF splits stereo files is quite counter intuitive:
AF splits interleaved files from "filename.wav" into "filename 00001.wav" and "filename00002.wav". These files are not generally recognised as split stereo files (by anything other than maybe AF itself).
The same is true for combining split stereo files to interleaved files - the combined file created from "FILENAME.L.wav" & "FILENAME.R.wav" is "FILENAME.L 0001.wav"
It would be a lot easier to just call it "FILENAME.wav" Again, this is the way Pro Tools works (and Snapper follows).
I agree with the poster in the the thread above that it would be beneficial if AF recognised split stereo files from the fact that they are called the same with a .L and .R respectively.
"icedaudio" said:
myFile.AIFF = myFile-L 0001.AIFF and myFile-R 0002.AIFF
"icedaudio" said:
Why not just follow ProTools and always use .L and .R. Because ProTools is wrong. Users let Avid get a way with a lot of non-standard behaviors. On OS 9, files had a thing called type/creator codes that were part of the file system, this means you alway new what format a file was without needing to know in the filename. That was lost in the year 2000 when Unix became the base of the OS. ProTools thinks this is 1999.
Why is ProTools not keeping pace with the times bad? For example imagine Filename.R. what file format is that? WAV, Aiff, sd2, or perhaps not even an audio file, could be a word processing file? You cannot know what it is without using deeper inspecting tools.
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